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His estate manager, the European and vaguely Germanic Gustav Keegan-Michael Key, is only a little more socially astute than Laird and tries to advise his employer and friend on how to get on Ned's good side, noting, "You two don't speak the same language. Let's just say that Laird makes quite a first impression. After Stephanie's relationship with Laird is unexpectedly and hilariously exposed to her family, they fly from their home in Michigan to California in order to meet and spend Christmas with Steph's new beau.
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Think an even more free-spirited, cruder and much more intelligent version of most of Adam Sandler's movie characters from the mid-late 90s. Laird isn't a nerd, but his father and mother were both lacking in the positive parental influences and Laird is now an adult without inhibitions – or a filter between what comes into his head and what comes out of his mouth. Laird is completely without guile, but, as the mother of "The Waterboy" 1998 described her son, "lacks the social skills". Stephanie has fallen in love with a somewhat older and very successful video game company CEO named Laird Mayhew James Franco. The character asking this film's titular question is Ned Fleming Bryan Cranston, an old-fashioned owner of a struggling printing company and loving husband to similarly uptight Barb Megan Mullally, 15-year-old budding businessman Scotty Griffin Gluck and college student Stephanie Zoey Deutch. All this is especially true for holiday comedies, which is why I can hate the "Bad Santa" movies, but still love films like 2011's "A Very Harold & Kumar 3D Christmas" – and 2016's "Why Him?" R, 1:51. is much funnier when it's good natured – as opposed to mean-spirited – especially when children or other vulnerable or minority populations are involved. Adult humor such as R-rated language, personal insults, juvenile humor, sex jokes, outrageous sight gags, etc. Isn't funny just because there's a lot of it, but the use and/or amount of it can be very funny if it's in service to a plot which calls for it – and in situations that are otherwise comical on their own. There is no shortage of laughs throughout and the film has a genuine heart, which is shown no better than in the final couple of scenes. It's a minor problem though and something that is easy to get past. The only flaw I could possibly find was a similar one again to 'Meet the Parents', where I found that lot of Cranston's actions which drive the story can come across a little unjustified and unnecessary, much the same as Ben Stiller's character in that movie. A great addition to the film.I really enjoyed 'Why Him?'. His facials are as impressive as his line delivery. Also one moment on the dance floor had me in stitches. He manages to make some lines funny that really had no business coming across that way.
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I imagine he was also improvising heavily and that freedom really lets his performance flourish.
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This could also be put down to excellent writing, but I give Franco equal credit.The other stand-out in a film that had zero weaknesses in terms of cast, they were all brilliant in their own way was Keegan-Michael Key. A lot of actors playing this role would probably come across quite unlikeable, but Franco never does. Franco's performance is actually quite outstanding in this way.
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While these characters might be mildly unrealistic, you can still relate to them and understand them as genuine people who actually mean well. This is particularly prevalent in actors who like to improvise, and you could tell that improvisation was heavily used in this film, especially from James Franco.What I love most about this film though is that while it is undoubtedly crass in nearly every scene, it also has a heart. Nothing feels off limits and the actors seem so much more comfortable in their characters with no restrictions on them. Movies with the freedom of that rating are just so much more enjoyable to watch. Quite a similar formula was followed and that makes perfect sense to me, because 'Meet the Parents' was a very enjoyable film. Fortunately that wasn't the case here, as 'Why Him?' is a very fine movie.There were actually a lot of similarities between this and 'Meet the Parents' also a Hamburg film, only with the roles reversed and the daughter's boyfriend being the crazy one. Though, movies that you go into with the highest expectations turn out to be some of the worst.